Blackless Baseball Cards: A Look at Racism in the Early Sports Card Industry

In the early decades of the 20th century, as baseball grew into America’s pastime, the sports card industry began to take off as a way for fans to collect images and statistics of their favorite players. For many years the cards almost entirely excluded one aspect of the game – its Black players. This period, when Black players were left off cards or otherwise not depicted, became known as the “Blackless Era” of baseball cards.

While a small number of Black players did appear on some early cards, they were very much the exception rather than the rule. Most card manufacturers in the early 1900s simply chose not to include images of Black ballplayers, reflecting the sad reality of racism and segregation that still permeated American society at the time. The omission of Black faces from baseball cards served to further promote the false narrative that the sport was only played by and meant for white Americans.

One of the first well-known sets that almost entirely lacked depictions of Black players was the 1909-1911 T206 cigarette card series, considered one of the most iconic in the history of sports cards. Of the over 500 total cards issued during this run, only one – a 1911 card showing pitcher Charlie Grant – featured a Black ballplayer. Grant’s card stands out not just for its uniqueness in the set, but also because his skin is noticeably lighter than most other Black players of the time, perhaps making his inclusion slightly less controversial.

Another major early offender was the 1912-1914 Cracker Jack card series produced by the Bainbridge Confectionery Company. Like the T206s, the Cracker Jacks depicted hundreds of white players but included only a single Black star – Walter “Big Train” Johnson, considered one of the greatest pitchers of all time. However, Johnson’s card is quite rare today, leading collectors to speculate that his inclusion may have been an afterthought or that his cards were pulled shortly after distribution began.

The reasons for the widespread omission of Black players from early 20th century baseball cards are complex, reflecting the sad realities of racism and segregation that permeated American society at the time. While the popularity of figures like Jackie Robinson would later help integrate the sport, the baseball card industry was slow to reflect the increasing presence of talented Black athletes in the major leagues. For collectors and fans accustomed to seeing only white faces, acknowledging the Black stars already playing professional ball challenged preconceived notions of who the sport was “meant” for.

For the card companies themselves, there were likely also financial considerations at play. By excluding Black players, manufacturers avoided potential controversy or backlash from racist customers, ballpark owners, or league officials who did not welcome integrated competition. In many parts of the United States during this period, showing the faces of prominent Black athletes on a mass-produced product could have negatively impacted sales. For a young industry still working to turn a profit, the risk was simply not worth it.

It was not until the late 1930s and 1940s that more Black players, most notably the stars of the Negro Leagues, began to appear more consistently on baseball cards. Pioneers like Josh Gibson, Buck O’Neil, and Cool Papa Bell were finally depicted, reflecting the growing respect for the skill and talent in the segregated African American professional leagues. Icons like Gibson, considered by many the greatest power hitter of all time, were now getting some long overdue recognition.

Even as more Black faces made their way onto cards in the post-Negro League era, depictions were still not equal. Sets from companies like Goudey and Leaf often featured Gibson, O’Neil, and others in their own separate “Negro League” subsets rather than mixing them in with white major leaguers. This further served to “other” Black ballplayers and perpetuate the notion that their achievements existed outside the domain of “real” professional baseball.

It was not until Jackie Robinson broke baseball’s color barrier with the Brooklyn Dodgers in 1947 that the game was fully integrated on the field. In the years that followed, as more Black stars like Willie Mays, Hank Aaron, and Ernie Banks achieved success in the majors, they also gained wider representation in the baseball card industry. By the late 1950s and 1960s, images of prominent Black players had become standard and mainstream features of sets from Topps, Fleer, and others. The “Blackless Era” of omission and exclusion in early 20th century cards was finally coming to an end.

Today, as baseball celebrates the achievements of pioneering Black figures like Robinson, Gibson, and others who overcame immense obstacles, the “Blackless” cards of the past stand as an important reminder of how far the sport has come. While ugly racial stereotypes and policies may have dictated their exclusion from sets in the early 1900s, the talent and accomplishments of these trailblazing athletes could not be denied forever. In the baseball card industry as on the field, the full integration of Black stars was inevitable – their greatness demanded to be commemorated.